The show capitalizes on the formula that has turned, in the canon of TV sitcoms, most of Lear’s works into masterpieces. These are three generations that don’t always get each other, but they’re trying to figure it out.” “In a time where there’s not a lot of earnestness, we are about love and kindness, and being decent to each other. “The show is earnest,” Calderón Kellett says. And it’s important because, well, it’s happy. It’s important because Rita Moreno is that freaking good. It’s important because of the representation and visibility it gives to the Latino community and its diverse cast and crew. It is, as it’s always been, important because of the issues the show tackles. In a first, it is a cable network that has saved a show canceled by Netflix, not the reverse.Īfter everything it endured, One Day at a Time is back. Now there’s finally a home-on Pop TV-for them to continue to do that. And I feel like that’s really what we want the country to do, is to have these hard conversations in order to find that we’re more alike than we are different.” They’re trying to find ways towards each other. “The characters are trying to build bridges. “I feel like what we really try to do on the show, because it’s about family, is we’re trying to build bridges,” Machado says. In 2020, an election year, what network or platform wouldn’t want a series that so deftly confronts pressing issue-from Latino representation to LGBT+ acceptance-as part of its brand? But from a perception standpoint, the cancelation was baffling. They understand that there are business- and viewership-related reasons to end a series. These are TV lovers who are not necessarily naive. It was a happy ending for angry and confused fans and critics. Both shows cut through the glut of TV options because, on top of high-quality writing and performances, they make viewers just plain feel good. Plus, the two comedies are spiritual cousins. Schitt’s Creek was finishing its run and the network needed another critically acclaimed, under-the-radar awards contender. In many ways, One Day at a Time was a natural fit. The rising cable network made a name for itself in recent years for airing first-run episodes of Schitt’s Creek, the Emmy-nominated slow-burn phenomenon starring Catherine O’Hara and Eugene Levy. But it was Pop that emerged as the most likely contender. He was going to find the show a new home.somewhere.Ī stipulation in the show’s Netflix contract wouldn’t allow the series to move to another streaming service, limiting options and disqualifying interested parties like CBS All Access. The day Netflix brought down the axe, Jeff Frost, the president of Sony Pictures, which owns the series, called and said not to worry. But then, as if all of a sudden, the writing was etched on the wall. Some cast members were relentlessly optimistic, like Todd Grinnell, who plays landlord and handyman Schneider. The next day, a changing wind would blow some optimistic whispers in their ears. The show had seemed to be on life support for much of its run. It’s a little bit of magic.”Ĭalderón Kellett and Machado describe the weeks leading up the show’s cancelation as a stressful vigil. “So there’s something that struck everybody. “Norman says it all the time: ‘I’ve never in all my life’- and this is 97 years-‘seen critics rally behind a show so much,’” Machado says. “I haven’t seen this kind of a show for a long time, especially in the sitcom world,” says Justina Machado, who plays Penelope Alvarez on the show, the Cuban-American single mother of two teenagers sharing an apartment with her immigrant (and newly naturalized citizen) mother, played by Moreno. But they dont! People, I think, are appreciative of a little niceness and kindness.” Theyre gonna come shit on us for something. You always expect like, oh, here they come now. “Twitter is a place for garbage fires, for dumpster fires. “We were critically acclaimed and we were, you know, pretty universally loved,” Gloria Calderón Kellett, who co-created the show with Mike Royce, says. Season 3 earned a 100 percent fresh score on Rotten Tomatoes and garnered its second consecutive Best Comedy Series nomination at the Critics Choice Awards. That included the overwhelming support of critics and entertainment journalists, who glowingly reviewed and covered the show at a scale that rivaled megahits like Game of Thrones or This Is Us. Those who were watching, however, were passionate as an understatement. Almost a year ago to the month, Netflix, the original home of the Latino reimagining of Norman Lear’s socially-minded family sitcom, canceled the series, claiming viewership numbers-statistics that the streaming service notoriously never release- weren’t strong enough to justify the cost of another season.
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